Just outside of Buffalo, New York, Michael Basinski lives a little past the airport. In 2018 he published Opems (Burchfield Penney Art Center), which documents his large scale visual, sound, and performance poem exhibition titled Opems: Verbal-Visual Combines, https://www.burchfieldpenney.org/exhibitions/exhibition:03-09-2018-06-24-2018-opems-verbal-visual-combines/
Other books include: Unexplained Noises, (Buffalo Ochre Papers), Lot Sa Nots O http://xexoxial.org/is/lots_sa_nots_o/by/michael_basinski, and with Ginny O’Brien, Combings http://www.redfoxpress.com/dada-basinski2.html Combination of the Two, an exhibition of O’Brien’s and Basinski’s cooperative visual work and visual poems opened in early January 2019 at the Western New York Book Arts Collaborative. His most recent books of poetry are Tub Bunny, (Spuyten Duyvil) http://www.spuytenduyvil.net/tub-bunny.html
And Salvage (BlazeVOX[books])
http://www.blazevox.org/index.php/Shop/Poetry/salvage-by-michael-basinski-557/
Among the spots his work has appeared are: Blazing Stadium, Peach Mag, Dispatches from the Poetry Wars, Angry Old Man, Journal of Poetic Research, Word/For Word, Fell Swoop, Kenning, Rampike, Filling Station, Ur Vox, Damn the Caesars, Nerve Lantern, Mimeo Mimeo, Vanitas, Talisman, Vort, and Poetry.
Comment: “Ode Daphne” and “Five Eclipses in Under 12 and Half Minutes”
are performative sound poems for voice and instrument ensemble. Voice sound and instrument sound are interchangeable. Individuality is significant in recitation. Each poem offers some parameters.



