ISSUE 17

Brave New Word ISSUE 17 

AKA Taking Care of Business

Editor's note:
If there is an appropriate time to say "Things have changed" - that's it. The last time I was doing a Brave New Word issue - it was at one of the lowest points of my life. My employment for the previous two years, more or less, went down with a whimper due to politics, professional jealousy, greed, and backstabbing. The emotional toll of November and December left me creatively spent and without many career prospects. Ain't going to lie - I felt screwed, but in the end - it is over. That's not my problem anymore. I'm over it - going towards new frontiers. I don't have time to fight the specters of the past.

The downside is that since last September and up until the very end of December, I more or less put aside much of my creative output to focus on the job. As a result - I did a whole lot of what ultimately amassed to nil and not much else of worth.

I snapped out of it in early December because the bullshit got too ridiculous, but the damage was done. Brave New Word Issue 16 was the first step of my rehabilitation, but it wasn't enough to reinvigorate my creative senses. I've spent much of December and January picking up the pieces and slowly getting back to form.

The work on Issue 17 began in earnest around early February. In fact, I've spent a month working on it - the project started on February 5th and is over by March 2nd. The fastest turnaround since 2017.

One thing that I've noticed while analyzing the performance of Issue 16 is that 20 pieces sequence results in some posts getting significantly less attention when the issue is viewed as a whole. The numbers don't lie. Because of that, Issue 17 features only 14 spots - similar to the early issues.

Without further ado - Brave New Word Issue 17.

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Issue Line-up:

1. Jeremy Stewart - bugs groucho 1-5
2. J.I. Kleinberg - Five collage poems
3. Eddie Watkins - from Leap Frogs
4. Janis Butler Holm - queen dregs hand yam
5. James Sanders - Chyrons and Plants
6. Kristine Snodgrass - Six asemic pieces
7. Nils Geylen - Stress Bot Crash Test Subroutine
8. Heller Levinson - excerpts from from here goes 
9. Olchar Lindsann - Five poems 
10. Luc Fierens - Baby Doc / Fatale / Fotomodella / Gold
11. Mary Kasimor - Three Poems
12. hiromi suzuki - au bord de la mer
13. Jeremy Hight - Donnie Darko retold as self-help book section
14. Tom Prime / Gary Barwin - collaborative mayhem

hiromi suzuki - au bord de la mer

hiromi suzuki is a poet, fiction writer and artist living in Tokyo, Japan. She is the author of Ms. cried - 77 poems by hiromi suzuki (Kisaragi Publishing, 2013), logbook (Hesterglock Press, 2018), INVISIBLE SCENERY (Low Frequency Press, 2018), Andante (AngelHousePress, 2019). Her works have been published internationally in poetry journals, literary journals and anthologies.

Jeremy Hight - Donnie Darko retold as self-help book section

Jeremy Hight is a professor of English and Creative Writing and is proud to have a text and image work in the Whitney Museum. He writes prose, poetry and critical theory and lives with his loving wife Lisa in Los Angeles

Olchar Lindsann - Five poems

Olchar E. Lindsann is a writer, theorist, publisher, historian, teacher, performer, archivist, organiser, and translator, dedicated to the formation, maintenance, and transformation of marginal countercultures. A co-founder of the International Post-NeoAbsurdist Collective, he is also actively engaged with Fluxus, Neoism, the Eternal Network, and many other radical and avant-garde projects internationally. He is the editor of mOnocle-Lash Anti-Press, and of the print periodicals Rêvenance and The In-Appropriated Press. The author or co-author of 40 books of critical and social theory, verse, historiography, performance scores, visual poetry, polemic, and collage, Lindsann has performed and lectured extensively in the US and the United Kingdom. He maintains several archives of contemporary and historical countercultures. Lindsann teaches cross-disciplinary Humanities classes, writing and history at a progressive school in Roanoke, Virginia.

Heller Levinson - excerpts from from here goes

Heller Levinson Submission Brave New World Magazine.
The originator of Hinge Theory, Heller Levinson lives in New York. His most recent book, Seep, is scheduled for release from Black Widow Press in Spring 2020.

J.I. Kleinberg - Five collage poems

Artist, poet, and freelance writer, J.I. Kleinberg is a Best of the Net and Pushcart nominee and winner of the 2016 Ken Warfel Fellowship. Her found poems have appeared in Diagram, Heavy Feather Review, Rise Up Review, The Tishman Review, Hedgerow, Otoliths, and elsewhere. She lives in Bellingham, Washington, USA, and blogs most days at thepoetrydepartment.wordpress.com. 

These visual poems are from an ongoing series (1,700+) of collages built from phrases created unintentionally through the accident of magazine page design. Each chunk of text (roughly the equivalent of a poetic line) is entirely removed from its original sense and syntax. The text is not altered and includes no attributable phrases. The lines of each collage are sourced from different magazines.​

Nils Geylen - Stress Bot Crash Test Subroutine

Nils Geylen was raised between the arctic and the equator and currently stuck in Belgium. He works in literary inclusion and literacy promotion. His creative writing currently investigates topics such as human and machine behavior and the oppressive qualities of culture and history. He is interested in the illegible and or the incomprehensible. Faced with the limitations of print, he prefers online journals and is always looking to escape the lexical, phrasal or narrative constraints of writing in favor of a more experiential delivery.

Luc Fierens - Baby Doc / Fatale / Fotomodella / Gold

Linked to the Fluxus tradition, and with deep roots in postal art and visual poetry, Fierens has the rebellious and challenging look of a poet determined to upset the flattening of our imaginary. Its deeply desacralizing and incisive tone finds in the assault and violence of the advertising and journalistic language a privileged way to intervene critically about reality, giving expression to an alternative and dissident visuality. The focus of his work within the field of collage focuses on his poetic vision, a transgressive vision that is involved in a persistent game of contradictions to end up in a hybrid entity halfway between the plastic and the purely poetic: collage-poem.

The aesthetic option of Luc Fierens is nourished by the fragment, the deviation, and above all, a will of critical activation that is not very present in the field of collage. As he struggles to awaken other visions, which can counteract the cosmetic visions of mediated reality, his work transcends the boundaries of mere combinatorc exercise to deepen the much wider and more sensitive territory of a poetic that unravels and unmasks.